Gospel Keys Urban Pro Clip – Learn Phat Passing Chords
Visit www.GospelKeysUrban.com for more... Jonathan Powell from hearandplay.com shows how to subsitute and alter passing chords to give them a fat contemporary sound. Visit http for more... The "Secrets" Are Out! Learn In 5.5 Hours What It Takes Musicians Decades to Pick Up! How to play tons of PHAT (that is, "FULL") urban chords off every tone of the scale using the award-winning, step-by-step, "GospelKeys" approach to learning! Tons of voicings, left-hand techniques, right-hand triad tricks ...
where the hell did you get cb5b9 from?? that is incorrect, you clearly don’t know theory at all. the chord shown is C7b5b9 that makes sense in terms of theory and also with what you playing. if your posting videos or selling DVD with incorrection infomation your hurting your rep and future sells. its a good video over all
Dude, I don’t know who you guys try to reach with these vids. Now you are studying a chords for 2 minutes while in other vids your only saying: “IV VI II” and we have to find out the rest ourselves. Can someone lighten this up?
It really does depend on how you voice the chords. I’m a musician myself. I also read music, from jazz to classical. I use tritone substitutions, which are basically #5#9s, or #11#13s. I’m sure you’ve heard of minor 9s. Oh, by the way, if you want to runs, you must first learn your scales.
The reason why he didn’t show runs is that he knows you can figure them out yourself. A run is basically a scale speeded up, omitting a few notes.
It amazes how some people can criticize someone for putting together a project to help someone who WANTS to learn versus those that think they KNOW how to play. Stop HATING!
Some other good passing chords are 7(#5#9). It goes really good if you wanna go to a minor11th chord or just a a minor chord. Example: Ebmaj9, D7(#5#9), Gmin11, C7(#5#9), and you can go to something like a 4 or what ever you’d like to. I’m not going to go into to much details. But these chords are really used in a lot of songs that you hear on CD’s. Dorinda Clark-Cole panio musician plays chords like these. It also depends on how you voice them, they need to have that rich fullness sound.
Your basicly playing C#13(b5b9. Because if you have a C in the bass, then you would base the chord name on the bass. If you had an F in the bass, it would be a F what ever. On the organ if your playing what you was playing in the Lh. and was hitting a Cb or B natural that would be a diffenet story.
O ordered this course and was so disappointed.
He just gives you a bunch of chords which you could figure out yourself.
Doesn’t give you any runs or progressions you could use with it. I like their Jazz course.
Yes, there is a G# minor. When I said “G#,” I meant “G# major.” My fault. And yes, there is a Cb major. It doesn’t sound different than B major, but it does exist.
Just nitpicking, but there is a key of G# minor as the relative minor of B, because its parent key is on the sharp side of the circle of fifths.
One more thing: one will sometimes see the key of Cb major, and its relative minor Ab when modulating to keys on the opposite side of the circle. This something I’ve come across in Romantic music.
Gospel Keys Urban Pro Clip – Learn Phat Passing Chords
Visit www.GospelKeysUrban.com for more... Jonathan Powell from hearandplay.com shows how to subsitute and alter passing chords to give them a fat contemporary sound. Visit http for more... The "Secrets" Are Out! Learn In 5.5 Hours What It Takes Musicians Decades to Pick Up! How to play tons of PHAT (that is, "FULL") urban chords off every tone of the scale using the award-winning, step-by-step, "GospelKeys" approach to learning! Tons of voicings, left-hand techniques, right-hand triad tricks ...
Dude, I don’t know who you guys try to reach with these vids. Now you are studying a chords for 2 minutes while in other vids your only saying: “IV VI II” and we have to find out the rest ourselves. Can someone lighten this up?
It really does depend on how you voice the chords. I’m a musician myself. I also read music, from jazz to classical. I use tritone substitutions, which are basically #5#9s, or #11#13s. I’m sure you’ve heard of minor 9s. Oh, by the way, if you want to runs, you must first learn your scales.
The reason why he didn’t show runs is that he knows you can figure them out yourself. A run is basically a scale speeded up, omitting a few notes.
It amazes how some people can criticize someone for putting together a project to help someone who WANTS to learn versus those that think they KNOW how to play. Stop HATING!
Some other good passing chords are 7(#5#9). It goes really good if you wanna go to a minor11th chord or just a a minor chord. Example: Ebmaj9, D7(#5#9), Gmin11, C7(#5#9), and you can go to something like a 4 or what ever you’d like to. I’m not going to go into to much details. But these chords are really used in a lot of songs that you hear on CD’s. Dorinda Clark-Cole panio musician plays chords like these. It also depends on how you voice them, they need to have that rich fullness sound.
Your basicly playing C#13(b5b9. Because if you have a C in the bass, then you would base the chord name on the bass. If you had an F in the bass, it would be a F what ever. On the organ if your playing what you was playing in the Lh. and was hitting a Cb or B natural that would be a diffenet story.
O ordered this course and was so disappointed.
He just gives you a bunch of chords which you could figure out yourself.
Doesn’t give you any runs or progressions you could use with it. I like their Jazz course.
Yes, there is a G# minor. When I said “G#,” I meant “G# major.” My fault. And yes, there is a Cb major. It doesn’t sound different than B major, but it does exist.
Just nitpicking, but there is a key of G# minor as the relative minor of B, because its parent key is on the sharp side of the circle of fifths.
One more thing: one will sometimes see the key of Cb major, and its relative minor Ab when modulating to keys on the opposite side of the circle. This something I’ve come across in Romantic music.
There is a note called G#. There is no key, however, named G#. It is called Ab. This is because the leading tone in the key (the seventh note of the major scale) would be an F## (the enharmonic of G) in the key of G#. But in Ab, the leading tone would be G, which just makes so much more sense.
Tell your piano teacher that if one is in the key of C# for instance, then ALL of the notes are sharp: C#, D#, E#, F#, G#, A#, B#, and back to C#. That is just one example. Every note can be spelled multiple ways (double sharps and flats are also used in many pieces).
Gospel Keys Urban Pro Clip – Learn Phat Passing Chords
Visit http://www.GospelKeysUrban.com for more...
Jonathan Powell from hearandplay.com shows how to subsitute and alter passing chords to give them a fat contemporary sound.
Visit http://www.GospelKeysUrban.com for more...
The "Secrets" Are Out!
Learn In 5.5 Hours What It Takes Musicians Decades to Pick Up!
How to play tons of P-H-A-T (that is, "FULL") urban chords off every tone of the scale using the award-winning, step-by-step, "GospelKeys" approach to learning!
Tons of voicings, left-hand techniques, right-hand triad tricks, "runs," and more... that you can outright claim as your own!
How to incorporate the "padding element" into your playing to help give the melody a much smoother sound! Very important.
Discover highly-used (but rarely talked about) "unofficial shortcuts" that allow you to add "good" dissonance and tension to your playing at the right time. Believe it or not, having a certain level of dissonance present is good when you know how and where to incorporate it.
Learn how to shift your thinking from the right to the left. Learn full chords on the left and what to do on the right hand to accompany them. This is certainly a closely-guarded secret that's going to be completely exposed.
Never Beg For Tips And Tricks Again!
Implement a host of simple tricks that are guaranteed to instantly add that well-known west coast flavor to your playing (like Jason White and Mike Burrell).
Beef up your playing drastically by adding these small little grace notes, slides, and fill-ins to your chord transitions. Jon utilizes this trick at least 80% of the time and he spills the beans on exactly what to do to "own" it.
How to master the art of passing chords so that your chord progressions and songs never sound dull or "predictable." As you'll learn in the course, the goal is to be "unpredictable." That's when you know you've arrived.
Learn the ways of the west coast and how to contemporize your playing by using countless numbers of "stuâ—Źpid " chords, movements, and accidentals! (Note: Please don't be offended. This is real terminology in the gospel musician community).
How to play tons of opened and closed chords and how to use them at the right time.
Yes, there is a G# minor. When I said “G#,” I meant “G# major.” My fault. And yes, there is a Cb major. It doesn’t sound different than B major, but it does exist.
Just nitpicking, but there is a key of G# minor as the relative minor of B, because its parent key is on the sharp side of the circle of fifths.
One more thing: one will sometimes see the key of Cb major, and its relative minor Ab when modulating to keys on the opposite side of the circle. This something I’ve come across in Romantic music.
There is a note called G#. There is no key, however, named G#. It is called Ab. This is because the leading tone in the key (the seventh note of the major scale) would be an F## (the enharmonic of G) in the key of G#. But in Ab, the leading tone would be G, which just makes so much more sense.
Tell your piano teacher that if one is in the key of C# for instance, then ALL of the notes are sharp: C#, D#, E#, F#, G#, A#, B#, and back to C#. That is just one example. Every note can be spelled multiple ways (double sharps and flats are also used in many pieces).
Hi there,a piano teacher is arguing with me that there’s no G# in the piano,instead I should rather say Ab. I said they’re just the same. But I wanted to know the real score here. Would it be that naming G# as G# be for guitars only, but when you use it for the piano one should say Ab instead? thanks man, just want to learn some education here. thanks.
The pros learn the number system and scales that make progressions, substitutions, crazy chords and scales etc. Stretch your fingers…. go find finger stretching exorcises and stregthen the ring finger and pinky. Dont hurt yourself but push yourself. A stupid chord is a chord that you never heard or you heard but you didnt learn to do. It all comes from scales and number system. Thank God for the sharing of these videos forsale but some people cant afford the marketing of them.
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Look at the video very closely before insulting the author of it.
where the hell did you get cb5b9 from?? that is incorrect, you clearly don’t know theory at all. the chord shown is C7b5b9 that makes sense in terms of theory and also with what you playing. if your posting videos or selling DVD with incorrection infomation your hurting your rep and future sells. its a good video over all
Is there a book u know that show all these chords or explain how to form these kinds of chords?
y do y’all say no homo?
The last disc on this course is dedicated to progressions…
Dude, I don’t know who you guys try to reach with these vids. Now you are studying a chords for 2 minutes while in other vids your only saying: “IV VI II” and we have to find out the rest ourselves. Can someone lighten this up?
It really does depend on how you voice the chords. I’m a musician myself. I also read music, from jazz to classical. I use tritone substitutions, which are basically #5#9s, or #11#13s. I’m sure you’ve heard of minor 9s. Oh, by the way, if you want to runs, you must first learn your scales.
The reason why he didn’t show runs is that he knows you can figure them out yourself. A run is basically a scale speeded up, omitting a few notes.
It amazes how some people can criticize someone for putting together a project to help someone who WANTS to learn versus those that think they KNOW how to play. Stop HATING!
not even close bro…
This kat sounds like he can roll with Mike Bereal & Jason White & can probably outplay any haters. No homo.
Nice stuff man. Nice video.
1:49 – 1:54 … that little section was nice & smooth
Some other good passing chords are 7(#5#9). It goes really good if you wanna go to a minor11th chord or just a a minor chord. Example: Ebmaj9, D7(#5#9), Gmin11, C7(#5#9), and you can go to something like a 4 or what ever you’d like to. I’m not going to go into to much details. But these chords are really used in a lot of songs that you hear on CD’s. Dorinda Clark-Cole panio musician plays chords like these. It also depends on how you voice them, they need to have that rich fullness sound.
Your basicly playing C#13(b5b9. Because if you have a C in the bass, then you would base the chord name on the bass. If you had an F in the bass, it would be a F what ever. On the organ if your playing what you was playing in the Lh. and was hitting a Cb or B natural that would be a diffenet story.
O ordered this course and was so disappointed.
He just gives you a bunch of chords which you could figure out yourself.
Doesn’t give you any runs or progressions you could use with it. I like their Jazz course.
man these chords suck dude make jermaine teach you lol
Hear and play is a scam they just want to make money off some simple chords that you can pick up your self.
depends on the key c# or db
how many times u say the same thing???
we got it the first time.
I know right? LOL!
Listen To Learn Music
JP, you de man dock!
This is so smooth.
He gives hope lol
Yes, there is a G# minor. When I said “G#,” I meant “G# major.” My fault. And yes, there is a Cb major. It doesn’t sound different than B major, but it does exist.
Just nitpicking, but there is a key of G# minor as the relative minor of B, because its parent key is on the sharp side of the circle of fifths.
One more thing: one will sometimes see the key of Cb major, and its relative minor Ab when modulating to keys on the opposite side of the circle. This something I’ve come across in Romantic music.
isnt that an augmented cord?